Editors & Agents

The editors and agents below have provided the genres they are seeking to acquire or represent, in their own words–and they often identify specific genres they are not seeking to decrease ambiguity. In addition to reading this information, you also should review their agency/publisher websites, do an Internet search for interviews with them and/or what other agents, editors, and authors have written about them, and make sure you’re a good fit with their tastes and attitudes.

At every conference, a few participants are disappointed because they paid to get a critique from, and/or make a pitch to, an agent or editor who isn’t interested in their genre. This occurs because the participants did not read these descriptions. Don’t be like those people! Read the agents and editors’ bios carefully, research them, and select accordingly. Also, if you want one or two manuscript critique(s) and pitch(es) be sure you select a different agent/editor for each activity. Don’t waste your money by seeing the same person for a manuscript critique as well as a pitch, because they both serve the same purpose: to introduce the agent or editor to you and your work. With the manuscript critique, you get the added value of receiving that individual’s feedback about your writing; it doesn’t make sense to also pitch that individual about the same book, because you can ask at the end of your critique whether they’re interested in receiving your partial or full manuscript.

What if you have two different book projects? It’s still a risk to pitch the same agent or editor you’re getting a critique from (just as it’s a risk to get two critiques or two pitches with the same person), because if this person is interested in the first book project, they will want to focus on that one with you rather than tackle two projects simultaneously. If that person is not interested in the first one, there’s a likelihood they won’t be interested in the second one either. So, as you’re reading the descriptions below, please consider as many individuals as possible rather than setting your sights on just one. During the registration process, you will see who has spots remaining for each activity and can choose accordingly. That record of open spots is always up-to-date.

What if you have a self-published book you want to pitch and/or get a sample critiqued? If agents and editors are open considering a self-published work for traditional publishing, you will see this noted in their bios below. However, most industry professionals prefer to only consider never-published manuscripts so they don’t have to deal with copyright issues and other problems that already-released books present. If you have a self-published work you want to pitch or get critiqued but aren’t sure whether the agent(s)/editor(s) you have in mind would be receptive, contact Atlanta Writers Conference Director George Weinstein at awconference@gmail.com and he will ask for you.

 

NOTE: At the bottom of each editor/agent bio, we indicate if manuscript critique and/or pitch spots are full–but waitlists are available–or are closed because a deadline has passed. There is no charge for waitlist spots, so there is no risk in registering for one; if a spot opens for you due to another participant’s cancellation, you will be informed by email and will pay for the activity at that time. If you want to put your name on any waitlists, you may register for those–please go to the Registration page and use the Cvent system link to do so.

 

See the bios below for complete details about the editors and agents and what they are seeking to acquire or represent, respectively. If spots are full for all the editors and agents who are a good fit for you and your work, contact Atlanta Writers Conference Director George Weinstein at awconference@gmail.com to request recommendations about which ones have the shortest waitlists.

 

 

Whitley AbellWhitley Abell, Associate Literary Agent for The Jennifer De Chiara Literary Agency

https://www.jdlit.com/

Whitley is currently seeking the following fiction genres and nonfiction topics:

 

Young Adult (YA) and Middle Grade (MG) Fiction and Nonfiction:

Whitley is open to queries of all genres in YA and MG fiction. Strong female voices are near and dear to her heart, and she is always drawn to dark turns, twisted psychology, fresh retellings and reimaginings, untold histories, and far off lands. She is especially looking for dark narratives with well-developed antihero(in)es, lyrical works of magical realism, mad heists, humorous contemporary, and horror… all the horror.

She is also open to standalone graphic novels in line with these YA/MG interests.

In juvenile nonfiction, Whitley is open to narrative stories and books on intriguing topics for children, MG, and YA audiences. She is particularly interested in historical figures or events not typically discussed—the real-life unsung hero(in)es and game changers; preference given to feminist/diverse subjects. She is really into books exploring geek culture and feminism, and that encourage activism, involvement, and resistance.

Adult Fiction:

Whitley is open to queries across the following genres:

  • Upmarket and commercial women’s fiction
  • Historical fiction
  • Domestic/psychological thrillers
  • Fantasy (not epic)
  • Mysteries (more noir than cozy)

Favorite authors include Megan Abbott, Kaui Hart Hemmings, Hannah Kent, Ami McKay, Kate Morton, Celeste Ng, Camille Perri, Rainbow Rowell, Victoria Schwab. She is particularly drawn to stories told through the female lens; extra points for dark and/or smart humor for today’s women.

She is NOT interested in romance, Christian fiction, literary fiction, science fiction, or epic fantasy for adult audiences.

​Adult Nonfiction:

Whitley is looking for authors with strong platforms, unique stories, and a dedication to their audiences. She welcomes proposals in the following areas:

  • History
  • Humor
  • Pop culture
  • Pop science/psychology
  • Social and women’s issues
  • Serious, well-researched true crime
  • Offbeat, quirky, or downright geeky topics explored through an academic lens

She is NOT looking for memoirs, biographies, self-help books, or cookbooks.

Whitley’s manuscript critique and pitch spots are full, but waitlists are available.

 

Emma CarusoEmma Caruso, Assistant Editor for Penguin Random House

https://www.penguinrandomhouse.com/

Emma is seeking to acquire the following categories in fiction and nonfiction:

 

In fiction, she is seeking:

  • Smart, upmarket commercial women’s fiction
  • Historical fiction
  • Mystery
  • Suspense
  • Thriller
  • Political fiction
  • Multi-generational stories
  • Multi-cultural, diverse voices
  • UK, Celtic voices
  • Quirky, distinctive, heartwarming voices

 

In nonfiction, she is seeking:

  • Narrative nonfiction
  • Memoir
  • Pop culture
  • Smart true crime
  • Anything with a human element, thread, or voice to illuminate the true story

 

If Emma is interested in acquiring participants’ manuscripts, she would provide references to agents for representation and negotiation.

Emma’s manuscript critique and pitch spots are full but waitlists are available.

 

Alicia ClancyAlicia Clancy, Acquisitions Editor for Lake Union Publishing/Amazon Publishing

https://amazonpublishing.amazon.com/

Prior to acquiring fiction titles for Amazon’s Lake Union Publishing, Alicia was an assistant editor for nearly four years at St. Martin’s Press.

 

Alicia is seeking the following in fiction:

  • Women’s fiction (both upmarket and commercial)
  • Book club fiction
  • Historical fiction
  • Psychological and domestic suspense
  • Occasional literary fiction projects with strong commercial appeal (think George Saunders, Meg Wolitzer, Jesamyn Ward, Alice McDermott, and Jennifer Egan)

If Alicia is interested in participants’ manuscripts, she would give the author the choice  of whether to do the contract with her directly or seek an agent for representation and negotiation.

Alicia’s manuscript critique and pitch spots are full, but waitlists are available.

 

Elizabeth CoppsElizabeth Copps, Literary Associate for Maria Carvainis Agency, Inc.

https://www.mariacarvainisagency.com/

Elizabeth is currently seeking the following genres of fiction:

 

On the adult side:

  • Thrillers and mysteries with a psychological bent along the lines of ARE YOU SLEEPING by Kathleen Barber and SEE WHAT I HAVE DONE by Sarah Schmidt
  • Historical fiction, particularly set in locations other than the U.S. such as PACHINKO by Min Jin Lee and THE ABSOLUTIST by John Boyne
  • Women’s fiction that navigates the complexities (and absurdities) of relationships such as THE GLITCH by Elisabeth Cohen and SOCIABLE by Rebecca Harrington
  • Issue-driven, contemporary fiction such as THE MARS ROOM by Rachel Kushner and SING UNBURIED SING by Jesmyn Ward

 

On the children’s side:

  • Contemporary Middle Grade and Young Adult
  • She would also love to see more magical realism in the vein of THE RIVERMAN by Aaron Starmer and THE STRANGE AND BEAUTIFUL SORROWS OF AVA LAVENDER by Leslye Walton.

 

In general, she is drawn stories that are timeless, thought provoking, and discussion spurring. She wants to see characters who are brimming with personality and burst off the page. Extra points to works that feature quirky or humorous personalities, smart dialogue, and startling plot twists.

Elizabeth is NOT seeking:

  • Fantasy
  • Science fiction
  • Memoir
  • Picture books

Elizabeth’s manuscript critique and pitch spots are full, but waitlists are available.

 

Chelsey EmmelhainzChelsey Emmelhainz, Senior Editor for Crooked Lane Books

http://www.crookedlanebooks.com/

Senior Editor Chelsey Emmelhainz joined Crooked Lane Books in 2017 by way of HarperCollins Publishers and Arcade Publishing. Her clients include ITW Best First Novel finalists LS Hawker and E.Z. Rinksy; Laurie Petrou, winner of the 2016 Half the World Global Literati Award; Andy Davidson, a 2017 Bram Stoker Award Finalist; and bestselling thriller author Carey Baldwin.

Chelsey’s list focuses on contemporary upmarket suspense, mystery, and crime fiction featuring elevated writing and compelling, high-concept conflicts with crossover potential. Chelsey is especially interested in culturally diverse voices (including Own Voices authors) and concepts involving coming-of-age, family dysfunction, and toxic friendships. She loves all things dark, gritty, and macabre and would love to see projects with a sophisticated supernatural twist or horror bent.

Subgenres of interest include: small-town suspense, amateur sleuths, kidnapping, serial killers, psychological/domestic suspense, speculative fiction, magical realism, and horror/supernatural thrillers.

She is NOT looking for: cozy mysteries, international thrillers, espionage, PIs, noir, or romantic suspense.

If Chelsey is interested in acquiring a participant’s manuscript, she would work with them directly. Crooked Lane Books does not require authors to have representation.

Chelsey’s manuscript critique and pitch spots are full, but waitlists are available.

 

Erica GonzalezErica Gonzalez, Associate Editor for Penguin Random House

https://www.penguinrandomhouse.com/

 

Erica is seeking to acquire the following categories in fiction and nonfiction:

 

In fiction, she is seeking:

  • Historical fiction
  • Literary fiction
  • Upmarket genre fiction, including mystery, thriller, fantasy, science fiction, and romance
  • Women’s fiction
  • Multi-cultural and diverse voices

In nonfiction, Erica is seeking:

  • Memoir
  • Narrative nonfiction

 

If Erica is interested in acquiring participants’ manuscripts, she would provide references to agents for representation and negotiation.

Erica’s manuscript critique and pitch spots are full but waitlists are available.

 

Melanie IglesiasMelanie Iglesias, Assistant Editor for Atria Books | Washington Square Press/Simon and Schuster

http://www.simonandschusterpublishing.com/atria/

Melanie is seeking adult fiction and adult nonfiction in the following categories:

In fiction:

  • Upmarket (sweet spot between Commercial and Literary)
  • Commercial
  • Speculative (accessible Science Fiction, Fantasy, or Alternate History)
  • Women’s fiction
  • Diverse voices/perspectives (Latinx, LGBTQ+, People of Color, etc.)
  • Literature in Translation

In nonfiction:

  • Memoir
  • Narrative nonfiction
  • Popular culture

 

She is NOT interested in the following fiction genres:

  • Romance
  • Thriller
  • Mystery & Suspense

Also, she is NOT interested in these nonfiction topics:

  • Cooking
  • Dieting
  • Politics
  • Religion
  • Self-Help

If Melanie is interested in acquiring a participant’s manuscript, she would refer them to a literary agent.

Melanie’s manuscript critique and pitch spots are full, but waitlists are available.

 

Vedika KhannaVedika Khanna, Editorial Assistant for William Morrow|Custom House, an imprint of HarperCollinsPublishers

https://www.harpercollins.com/search-results/?imprint=william-morrow-paperbacks

https://info.harpercollins.com/customhouse/

In fiction, Vedika is seeking:

  • Literary coming of age
  • Speculative fiction
  • LGBTQIA fiction
  • Historical fiction (in particular medieval historical fiction and historical fiction that takes place outside the Western world)
  • Graphic novels
  • Dark fantasy that plays with tropes
  • Magical realism
  • Mythology/folklore

In nonfiction, she is seeking:

  • Narrative nonfiction
  • Memoir
  • Historical nonfiction that focuses on a specific person or event

 

If Vedika is interested in acquiring a participant’s manuscript, she would refer them to a literary agent.

Vedika’s manuscript critique and pitch spots are full, but waitlists are available.

 

Sara MegibowSara Megibow, Literary Agent for KT Literary

http://ktliterary.com/

Sara is actively seeking the following areas of fiction:

 

  • Middle Grade novels = absolutely all sub-genres

         – Check out THE DOOR TO THE LOST by Jaleigh Johnson and WHAT GOES UP by Wen Baragrey as examples of her taste

  • Young Adult novels = absolutely all sub-genres

          – Check out THE WEIGHT OF ZERO by Karen Fortunati and AN ENCHANTMENT OF RAVENS by Margaret Rogerson

  • Romance novels = absolutely all sub-genres

          – Single-title and novella-length, stand alone and series, historical, paranormal, fantasy, contemporary, historical…anything! Check out LOVE GAME by Maggie Wells and THE ONES WHO GOT AWAY by Roni Loren

  • Fantasy for the adult market = absolutely all sub-genres

          – Check out THE TIGER’S DAUGHTER by K Arsenault Rivera, TRAIL OF LIGHTNING by Rebecca Roanhorse, and THE LAST SUN by K.D. Edwards as examples

  • Science fiction for the adult market = absolutely all sub-genres

          – Check out A RED PEACE by Spencer Ellsworth and MASS EFFECT by Jason Hough as examples.

For additional resources about Sara, her clients, and recent sales, see the KT Literary website and:

Publishers Marketplace (for clients, sales, info)

Manuscript Wishlist

Pinterest board of Science Fiction/Fantasy authors/books

Pinterest board of MG/YA authors/books

Pinterest board of romance authors/books

And on Twitter: @SaraMegibow

Sara is NOT seeking picture books, chapter books, memoir, nonfiction, self-help, literary fiction, commercial fiction, or mystery/thriller.

Sara’s manuscript critique and pitch spots are full, but waitlists are available.

 

John RudolphJohn Rudolph, Literary Agent for Dystel, Goderich & Bourret LLC

https://www.dystel.com/

John Rudolph joined Dystel, Goderich & Bourret in 2010 after twelve years as an acquiring children’s book editor.

For young readers, he is seeking:

  • Picture book author/illustrators
  • Middle grade
  • Young adult
  • Nonfiction authors

For adults, he is actively looking for:

  • Narrative nonfiction, especially in music, sports, history, popular science, “big think,” performing arts, health, business, memoir, military history, and humor
  • He also will consider commercial and literary fiction except for the genres noted below

John is NOT interested in prescriptive nonfiction (cookbooks, diet, how-to, gardening, etc.) or science fiction, fantasy, or romance fiction.

John’s manuscript critique and pitch spots are full, but waitlists are available.

 

Lauren SpiellerLauren Spieller, Associate Literary Agent for TriadaUS Literary Agency

http://www.triadaus.com/

Lauren is seeking Middle Grade (MG) and Young Adult (YA) fiction, as well as select Adult fiction and nonfiction. Whatever the age category or genre, Lauren is passionate about representing writers from traditionally marginalized communities.

In MG, she’s drawn to:

  • Heartfelt contemporaries
  • Fantasy
  • Science fiction
  • Exciting adventures

 

In YA, she’d love to find authentic teen voices in any and all genres, though she is especially fond of:

  • Fantasy
  • Science fiction
  • Contemporary stories with a strong hook
  • Anything with a feminist or intersectional bent

 

In Adult, Lauren is seeking:

  • Psychological thrillers
  • High concept science fiction and fantasy
  • Female-driven upmarket fiction (especially if it’s historical, feminist, funny, or involves a touch of magical realism)
  • She is also open to unique nonfiction with an existing platform.

Lauren is NOT looking for the following categories: romance, women’s fiction, military science fiction, or memoirs.

Lauren’s manuscript critique and pitch spots are full, but waitlists are available.

 

Brian TibbettsBrian Tibbetts, Literary Agent for MacGregor Literary

http://www.macgregorliterary.com/

 

Brian is primarily seeking fantasy and science fiction, including the following sub-genres:

  • Epic fantasy and heroic fantasy
  • High fantasy and low fantasy
  • Sword and sorcery fantasy
  • All genres of science fiction (except those listed below)

 

He is NOT actively seeking the following science fiction and fantasy sub-genres at this time:

  • Coming-of-age fantasy or young adult (YA) fantasy
  • Dark fantasy or urban fantasy
  • Post-apocalyptic or apocalyptic YA
  • Steampunk

 

Brian is also interested in literary, book club, and women’s fiction, as well as memoir in rare cases, though it’s not his primary focus.

He does NOT represent middle grade, or YA of any kind currently.

In nonfiction, Brian is seeking prescriptive and narrative works, specifically in the areas of:

  • Food
  • Sustainability issues
  • Natural healing
  • Art
  • Music
  • Architecture
  • Outdoor sports

In addition, Brian will listen to pitches for Christian fiction and nonfiction and refer those that will be a good fit to MacGregor Literary founder and president Chip MacGregor. Please do NOT select Brian to do critiques of Christian manuscripts, only pitches.

Brian’s manuscript critique and pitch spots are full, but waitlists are available.

 

Questions?

Please contact George Weinstein at awconference@gmail.com.

Ready to register?

View the Registration page for instructions.

Advertisements

3 thoughts on “Editors & Agents

  1. Wouldn’t miss it. A great opportunity to meet and greet those on the forefront of everything books.

  2. What an awesome opportunity to network with such a collective group of talented professionals.

  3. The 2017 Writers Conference was a great and informative experience. I will never miss another conference. Both editors and agents were informative and motivating.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this:
search previous next tag category expand menu location phone mail time cart zoom edit close